\p
\v=16
\v~=\w तब|x-occurrence="1" x-occurrences="1"\w* \w दाऊद|x-occurrence="1" x-occurrences="1"\w* \w ने|x-occurrence="1" x-occurrences="1"\w* \w प्रधान|x-occurrence="1" x-occurrences="1"\w* \w लेवियों|x-occurrence="1" x-occurrences="1"\w* \w को|x-occurrence="1" x-occurrences="2"\w* \w आज्ञा|x-occurrence="1" x-occurrences="1"\w* \w दी|x-occurrence="1" x-occurrences="1"\w* \w कि|x-occurrence="1" x-occurrences="1"\w* \w अपने|x-occurrence="1" x-occurrences="1"\w* \w भाई|x-occurrence="1" x-occurrences="1"\w*  \w गवैयों|x-occurrence="1" x-occurrences="1"\w*\f + \fr 15.16 \fq गवैयों: \ft भजनगान तो बहुत पहले ही से धार्मिक संस्कारों में उचित माना गया था। (निर्ग.15:21, न्या.5:1, 1इति.13:8) परन्तु यहाँ हम पहली बार देखते है कि संगीत का आयोजन करना लैवियों का उत्तरदायित्व था।\f* * \w को|x-occurrence="2" x-occurrences="2"\w* \w बाजे|x-occurrence="1" x-occurrences="1"\w* \w अर्थात्|x-occurrence="1" x-occurrences="1"\w* \w सारंगी|x-occurrence="1" x-occurrences="1"\w*, \w वीणा|x-occurrence="1" x-occurrences="1"\w* \w और|x-occurrence="1" x-occurrences="2"\w* \w झाँझ|x-occurrence="1" x-occurrences="1"\w* \w देकर|x-occurrence="1" x-occurrences="1"\w* \w बजाने|x-occurrence="1" x-occurrences="1"\w* \w और|x-occurrence="2" x-occurrences="2"\w* \w आनन्द|x-occurrence="1" x-occurrences="1"\w* \w के|x-occurrence="1" x-occurrences="2"\w* \w साथ|x-occurrence="1" x-occurrences="1"\w* \w ऊँचे|x-occurrence="1" x-occurrences="1"\w* \w स्वर|x-occurrence="1" x-occurrences="1"\w* \w से|x-occurrence="1" x-occurrences="1"\w* \w गाने|x-occurrence="1" x-occurrences="1"\w* \w के|x-occurrence="2" x-occurrences="2"\w* \w लिये|x-occurrence="1" x-occurrences="1"\w* \w नियुक्त|x-occurrence="1" x-occurrences="1"\w* \w करें|x-occurrence="1" x-occurrences="1"\w*।
\¬v
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