Verse List for SNG 2:14

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B I ◄ ← Sng 2:14 ↓ → ► ═ ©

Text critical issues=minor/spelling Clarity of original=clear Importance to us=normal Speaker(s)=The bride (All still tentative.)

OET (OET-RV) My dove, in the holes in the rocks, ⇔ ≈ in the hiding places of the cliff, ⇔ Show me your appearance, ⇔ ≈ make me hear your voice, ⇔ because your voice is sweet, and you look lovely.

OET-LV my _dove _of_my in_the _clefts _of the _rock in_the _hiding _place _of the _steep _place let_me _see DOM form _of_your[fn][fn][fn] cause_me _to _hear DOM voice _of_your if/because voice _of_your is_sweet and_form _of_your is_lovely.

ULT My dove, in the clefts of the rock, ⇔ in the hiding places of the cliff, ⇔ show me your appearance, ⇔ make me hear your voice, ⇔ for your voice, is sweet, and your appearance, is lovely.

UST You are like a dove that is hiding far from me in an opening in the rocky cliff. ⇔ Allow me to see your form, ⇔  and allow me to hear your voice, ⇔  because your voice sounds sweet, ⇔ and your form is comely.”

BSB & MSB O my dove in the clefts of the rock, ⇔  in the crevices of the cliff, ⇔ let me see your face, ⇔  let me hear your voice; ⇔ for your voice is sweet, ⇔  and your countenance is lovely.

OEB No OEB SNG book available

WEBBE & WMBB My dove in the clefts of the rock, ⇔  in the hiding places of the mountainside, ⇔  let me see your face. ⇔  Let me hear your voice; ⇔  for your voice is sweet and your face is lovely.

NET O my dove, in the clefts of the rock, ⇔ in the hiding places of the mountain crags, ⇔ let me see your face, ⇔ let me hear your voice; ⇔ for your voice is sweet, ⇔ and your face is lovely.

LSV My dove, in clefts of the rock,
In a secret place of the ascent,
Cause me to see your appearance,
Cause me to hear your voice,
For your voice [is] sweet, and your appearance lovely.”

FBV My dove is out of sight in the crevices of the rock, in the hiding places of the cliff. Please let me see you! Let me hear you! For you speak so sweetly, and you look so beautiful!

T4T ⇔  You are like [MET] a dove that is hiding far from me in an opening/crack in the rocky cliff. ⇔ Show me your face, ⇔  and allow me to hear your voice, ⇔  because your voice is sweet-sounding ⇔ and your face is lovely [CHI].”

LEB • My dove, in the clefts of the rock,
• in the secluded place[fn][fn] in the mountain ,[fn][fn]
• Let me see your face,
• let me hear your voice;
• for your voice is sweet and your face is lovely.

BBE O my dove, you are in the holes of the mountain sides, in the cracks of the high hills; let me see your face, let your voice come to my ears; for sweet is your voice, and your face is fair.

Moff O my dove, from the clefts of your rock, ⇔  from your nook in the cliff ⇔ oh let me see your form ⇔  let me hear your voice ⇔ your voice so sweet ⇔  your form so fair!”

JPS O my dove, that art in the clefts of the rock, in the covert of the cliff, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is comely.'

ASV O my dove, that art in the clefts of the rock, ⇔ In the covert of the steep place, ⇔ Let me see thy countenance, ⇔ Let me hear thy voice; ⇔ For sweet is thy voice, and thy countenance is comely.

DRA My dove in the clefts of the rock, in the hollow places of the wall, shew me thy face, let thy voice sound in my ears: for thy voice is sweet, and thy face comely.

YLT My dove, in clefts of the rock, In a secret place of the ascent, Cause me to see thine appearance, Cause me to hear thy voice, For thy voice [is] sweet, and thy appearance comely.

Drby My dove, in the clefts of the rock, In the covert of the precipice, Let me see thy countenance, let me hear thy voice; For sweet is thy voice, and thy countenance is comely.

RV O my dove, that art in the clefts of the rock, in the covert of the steep place, let me see thy countenance, let me hear thy voice: for sweet is thy voice, and thy countenance is comely.
(Oh my dove, that art in the clefts of the rock, in the covert of the steep place, let me see thy/your countenance, let me hear thy/your voice: for sweet is thy/your voice, and thy/your countenance is comely.)

SLT My dove in the refuges of the rock, in the biding of the steep mountain: cause me to see thy form, cause me to hear thy voice; for thy voice is sweet and thy form becoming.

Wbstr O my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is comely.

KJB-1769 ¶ O my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is comely.
(¶ Oh my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy/your countenance, let me hear thy/your voice; for sweet is thy/your voice, and thy/your countenance is comely.)

KJB-1611 ¶ O my doue! that art in the clefts of the rocke, in the secret places of the staires: let me see thy countenance, let me heare thy voice, for sweet is thy voice, and thy countenance is comely.
(Modernised spelling is same as from KJB-1769 above, apart from punctuation)

Bshps O stande vp then and come my loue my beautifull, and come I say O my doue, out of the caues of the rockes, out of the holes of the wall, O let me see thy countenaunce and heare thy voyce: for sweete is thy voyce, and fayre is thy face.
(Oh stand up then and come my love my beautiful, and come I say Oh my dove, out of the caves of the rocks, out of the holes of the wall, Oh let me see thy/your countenance and hear thy/your voice: for sweet is thy/your voice, and fair is thy/your face.)

Gnva My doue, that art in the holes of ye rocke, in the secret places of the staires, shewe mee thy sight, let mee heare thy voyce: for thy voyce is sweete, and thy sight comely.
(My dove, that art in the holes of ye/you_all rock, in the secret places of the stairs, show me thy/your sight, let me hear thy/your voice: for thy/your voice is sweet, and thy/your sight comely.)

Cvdl (my doue) out of the caues of the rockes, out of the holes of the wall: O let me se thy countenaunce and heare thy voyce, for swete is thy voyce and fayre is thy face.
((my dove) out of the caves of the rocks, out of the holes of the wall: Oh let me see thy/your countenance and hear thy/your voice, for sweet is thy/your voice and fair is thy/your face.)

Wycl My culuer is in the hoolis of stoon, in the chyne of a wal with out morter. Schewe thi face to me, thi vois sowne in myn eeris; for thi vois is swete, and thi face is fair.
(My culver/pigeon is in the wholeis of stone, in the chyne of a wall with out morter. Show thy/your face to me, thy/your voice sown in mine ears; for thy/your voice is sweet, and thy/your face is fair.)

Luth Meine Taube in den Felslöchern, in den Steinritzen, zeige mir deine Gestalt, laß mich hören deine Stimme! Denn deine Stimme ist süß und deine Gestalt lieblich.
(My deaf_(one) in the rock_holes, in the stone_carvings, show to_me your shape(n), let me hear/listen your voice(n)! Because your voice(n) is sweet/cute and your shape(n) lovely/delightful.)

ClVg columba mea, in foraminibus petræ, in caverna maceriæ, ostende mihi faciem tuam, sonet vox tua in auribus meis: vox enim tua dulcis, et facies tua decora.[fn]
(dove my, in/into/on foraminibus rocks, in/into/on caverna maceriæ, show to_me face your(sg), sonet voice your in/into/on in_the_ears mine: voice because your sweet, and faces your decora.)

UHB יוֹנָתִ֞⁠י בְּ⁠חַגְוֵ֣י הַ⁠סֶּ֗לַע בְּ⁠סֵ֨תֶר֙ הַ⁠מַּדְרֵגָ֔ה הַרְאִ֨י⁠נִי֙ אֶתּ־מַרְאַ֔יִ⁠ךְ הַשְׁמִיעִ֖י⁠נִי אֶת־קוֹלֵ֑⁠ךְ כִּי־קוֹלֵ֥⁠ךְ עָרֵ֖ב וּ⁠מַרְאֵ֥י⁠ךְ נָאוֶֽה׃ס ‡

BrLXX Σὺ περιστερά μου, ἐν σκέπῃ τῆς πέτρας, ἐχόμενα τοῦ προτειχίσματος· δεῖξόν μοι τὴν ὄψιν σου, καὶ ἀκούτισόν με τὴν φωνήν σου, ὅτι ἡ φωνή σου ἡδεῖα, καὶ ἡ ὄψις σου ὡραῖα.

BrTr Thou art my dove, in the shelter of the rock, near the wall: shew me thy face, and cause me to hear thy voice; for thy voice is sweet, and thy countenance is beautiful.