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OETOET-RVOET-LVULTUSTBSBBLBAICNTOEBWEBBEWMBBNETLSVFBVTCNTT4TLEBBBEMoffJPSWymthASVDRAYLTDrbyRVWbstrKJB-1769KJB-1611BshpsGnvaCvdlTNTWyclSR-GNTUHBBrLXXBrTrRelatedTopics Parallel InterlinearReferenceDictionarySearch

parallelVerse INTGENEXOLEVNUMDEUJOSJDGRUTH1SA2SAPSAAMOSHOS1KI2KI1CH2CHPROECCSNGJOELMICISAZEPHABJERLAMYNANAHOBADANEZEEZRAESTNEHHAGZECMALJOBYHNMARKMATLUKEACTsYACGAL1TH2TH1COR2CORROMCOLPHMEPHPHP1TIMTIT1PET2PET2TIMHEBYUD1YHN2YHN3YHNREV

1Ma IntroC1C2C3C4C5C6C7C8C9C10C11C12C13C14C15C16

1Ma 9 V1V4V7V10V13V16V19V22V25V28V31V34V37V40V43V46V49V52V55V58V61V64V67V70V73

Parallel 1MA 9:41

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BI 1Ma 9:41 ©

Text critical issues=none Clarity of original=clearImportance=normal(All still tentative.)

BrLXXΚαὶ μετεστράφη ὁ γάμος εἰς πένθος, καὶ ἡ φωνὴ μουσικῶν αὐτῶν εἰς θρῆνον.
   (Kai metestrafaʸ ho gamos eis penthos, kai haʸ fōnaʸ mousikōn autōn eis thraʸnon. )

BrTrThus was the marriage turned into mourning, and the noise of their melody into lamentation.


WEBBESo the wedding was turned into mourning, and the voice of their musicians into lamentation.

KJB-1611Thus was the mariage turned into mourning, and the noise of their melody into lamentation.
   (Thus was the marriage turned into mourning, and the noise of their melody into lamentation.)

BI 1Ma 9:41 ©