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InterlinearVerse GEN EXO LEV NUM DEU JOB JOS JDG RUTH 1 SAM 2 SAM PSA AMOS HOS 1 KI 2 KI 1 CHR 2 CHR PROV ECC SNG JOEL MIC ISA ZEP HAB JER LAM YNA (JNA) NAH OBA DAN EZE EZRA EST NEH HAG ZEC MAL LAO GES LES ESG DNG 2 PS TOB JDT WIS SIR BAR LJE PAZ SUS BEL MAN 1 MAC 2 MAC 3 MAC 4 MAC YHN (JHN) MARK MAT LUKE ACTs YAC (JAM) GAL 1 TH 2 TH 1 COR 2 COR ROM COL PHM EPH PHP 1 TIM TIT 1 PET 2 PET 2 TIM HEB YUD (JUD) 1 YHN (1 JHN) 2 YHN (2 JHN) 3 YHN (3 JHN) REV
Sng 1 V1 V2 V3 V4 V5 V6 V7 V8 V9 V10 V11 V13 V14 V15 V16 V17
In Section 1:2–2:7, the woman and man praised each other, and they became more confident that they loved each other. In the introduction (1:2–4) the woman spoke about her desire for the man. Then she spoke of her humble life working in the family vineyard (1:5–6), and she seemed to question whether she was worthy for him to love her. Then he praised her, and she praised him. When she spoke at the end of the section (2:3–6), she felt secure that he loved her.
In this section, the woman used several comparisons to speak of her feelings about the man. She spoke as though he were a shepherd (1:7–8) or a king (1:4; 1:12), implying that he was like a shepherd or king to her in certain ways. He was also like a bag of myrrh (1:13), henna blossoms (1:14), and an apple tree (2:3–4) to her. The woman compared herself to “a rose of Sharon,” and “a lily of the valleys” (2:1). The man compared her to “a mare of Pharaoh’s chariots” (1:9). The Notes will discuss the meaning of each of these comparisons as it occurs in its section.
Lines 1:2–4 are the introduction to Section 1:2–2:7. In these lines, the poet summarizes the Song’s message and introduces its main characters: the woman, the man, and a group of young women. In the Song the woman spoke more often than the man spoke. After the title (1:1), she began the Song by saying that she wanted him to kiss her. She referred to him only as “him” or “you.” In Hebrew poetry, the authors do not introduce their characters as they do in stories, but in some languages it may be more natural to introduce them and identify them. Some ways to do this are:
Provide headings to identify the characters. Some headings may apply only to a verse or part of a verse. For example:
1:4e The Woman commented about the young women of Jerusalem You may need to use a different form the first time a character is introduced. For example:
1:2–4b A woman speaks to the man she loves
Use a speech introducer in the first part of the verse. If you use this option, you may want to indicate in some way that the speech introducer is not in the text itself. For example:
1:4e (The woman said to her beloved,) “Rightly do they love you.”
1:2a [There were a certain woman and man. She said to/about him,] “Let him kiss me…
Choose an option that fits your situation, and use it consistently throughout the book. You should also decide how you will refer to the speakers in the headings. Some ways to do that are:
woman, man, women (GNT)
beloved, lover, friends (NIV)
bride, groom, companions (REB)
she, he, others (ESV)
The woman often referred to the man as “my beloved” (RSV), and she also called him “the one whom my soul loves,” “the king,” and “my friend.” The man often referred to her as “my love” and also as “fairest among women,” “my dove,” “my sister,” “my bride,” and “queenly maiden.”
In 1:12–14 the woman replied to what the man said in 1:9–11 about her beauty. Here in 1:12–14 she also admired him and indicated that she desired him. She mentioned the sweet fragrance that was present when they were together. In 1:12 it was the fragrance of the woman’s perfume that affected the man.A few Bible commentators (e.g., Fox and Murphy) think that “my nard” refers to the king. In other words, they view it as a metaphor describing the king, as in 1:13–14. However, 1:12 does not at all parallel the form of the two comparisons in verses 13–14. It seems more likely that nard in 1:12 refers to the woman’s perfume, not to the king himself.
In 1:13–14 the woman used two metaphors to compare the man with fragrances. The metaphors imply that the man delighted her like a wonderful fragrance. In these lines she probably imagined or dreamed about being with her beloved. She was probably not actually with him.
While the king was at his table, my perfume spread its fragrance: The clause While the king was at his table (1:12a) tells where the king was while the scent of the woman’s perfume was in the air. In OT times, people reclined, or lay, on couches when they ate, so the REB has “While the king reclines on his couch.” Use natural verb forms in your language to describe this. Some ways to do this in English are:
While the king reclines on his couch, my spikenard gives forth its scent. (REB)
My king is sitting at his table, and the scent of my perfume is in the air.
While the king was at his table,
My “king” sits at his table,
the king: In this context the woman used the word king as a poetic term of affection to refer to her beloved. He was not an actual king. It is good to translate the term here as you did in 1:4b. For example:
my chief
my king
at his table: The Hebrew word that the BSB translates as table describes something round. The phrase at his table is more literally “in his circle/round.” Scholars differ about what the word “circle/round” refers to here:
It refers to a “couch.” For example:
his couch (REB) (CEV, ESV, NCV, NJPS, NLT, REB, RSV, GNT)
It refers to a “table.” For example:
his table (NIV) (BSB, GW, NASB, NET, NIV)
It refers to “an enclosure,” maybe to his room or to a different enclosed place. For example:
his own room (NJB) (NJB)
It is recommended that you follow interpretation (1), as most versions and scholars do. It is possible that the word is another way to refer to the same couch that is mentioned in 1:16c.
my perfume spread its fragrance.
my nard spread its fragrance.
and the odor of my perfume fills the room/air.
my perfume spread its fragrance: The Hebrew word translated as perfume in the BSB, is more literally, “nard.” Nard refers to an expensive perfume imported from India. It had a beautiful fragrance, and it seemed to encourage sexual desire in that culture. The clause my perfume spread its fragrance indicates that the smell of the woman’s perfume spread through the air. Everyone around could smell it. Other ways to translate this are:
my perfume fills the air with its fragrance. (GW)
the smell/odor of my perfume spread throughout the room.
Describe the spreading fragrance of perfume in a way that is natural in your language. In some languages, it may be possible to translate the idea with an idiom that would fit the poetic style.
my perfume: The phrase my perfume refers here to a type of perfumed oil that the woman spread on her body. In some languages it may be necessary to make this explicit. For example:
the perfume that I rubbed on my body
my expensive nard perfume
perfume: The word perfume refers here to perfumed oil that was made from the nard plant. This plant grows in the Himalaya mountains far away, so the nard oil was rare and expensive in Israel. For more information about the nard plant and a picture of it, see the note on perfume in 4:13c.
In some languages, a time clause does not occur first in the sentence. So the order of the two clauses in this verse may need to be reversed. For example:
My perfume spread its fragrance while my king was at his table.
Note 1 topic: figures-of-speech / metaphor
שֶׁ֤הַמֶּ֨לֶךְ֙
that,the,king
See how you translated the phrase the king in [1:4](../01/04.md) where it is used with the same meaning.
Note 2 topic: translate-unknown
בִּמְסִבּ֔וֹ
[was]_at,table_of,his
The word which the ULT translates as couch could: (1) refer to a couch, which is a long upholstered piece of furniture. (2) refer to a table. Alternate translation: [was at his table]
Note 3 topic: translate-unknown
נִרְדִּ֖י
nard_of,my
The term nard refers to pleasant-smelling, perfumed oil that was made from the roots of the nard plant. If your readers would not be familiar with nard plants, you could use a general expression or describe what nard is. Alternate translation: [my perfumed oil] or [my pleasant-smelling perfume made from the nard plant]
נָתַ֥ן רֵיחֽוֹ
he/it_gave odor_of,its
Alternate translation: [gave off its good odor] or [spread its pleasant aroma]
Note: The OET-RV is still only a first draft, and so far only a few words have been (mostly automatically) matched to the Hebrew or Greek words that they’re translated from.
Acknowledgements: The Hebrew text, lemmas, and morphology are all thanks to the OSHB and some of the glosses are from Macula Hebrew.