OET OET-RV OET-LV GHT ULT UST BSB MSB BLB AICNT OEB WEBBE WMBB NET LSV FBV TCNT T4T LEB BBE Moff JPS Wymth ASV DRA YLT Drby RV SLT Wbstr KJB-1769 KJB-1611 Bshps Gnva Cvdl TNT Wycl SR-GNT UHB BrLXX BrTr Related Parallel Simple Interlinear Topics Reference Dictionary Search
ParallelVerse GEN EXO LEV NUM DEU JOB JOS JDG RUTH 1 SAM 2 SAM PSA AMOS HOS 1 KI 2 KI 1 CHR 2 CHR PROV ECC SNG JOEL MIC ISA ZEP HAB JER LAM YNA (JNA) NAH OBA DAN EZE EZRA EST NEH HAG ZEC MAL LAO GES LES ESG DNG 2 PS TOB JDT WIS SIR BAR LJE PAZ SUS BEL MAN 1 MAC 2 MAC 3 MAC 4 MAC YHN (JHN) MARK MAT LUKE ACTs YAC (JAM) GAL 1 TH 2 TH 1 COR 2 COR ROM COL PHM EPH PHP 1 TIM TIT 1 PET 2 PET 2 TIM HEB YUD (JUD) 1 YHN (1 JHN) 2 YHN (2 JHN) 3 YHN (3 JHN) REV
PSA Intro Sg1 Sg2 Sg3 Sg4 Sg5 Sg6 Sg7 Sg9 Sg10 Sg11 Sg12 Sg13 Sg14 Sg15 Sg16 Sg17 Sg18 Sg19 Sg20 Sg21 Sg22 Sg23 Sg24 Sg25 Sg26 Sg27 Sg28 Sg29 Sg30 Sg31 Sg32 Sg33 Sg34 Sg35 Sg36 Sg37 Sg38 Sg39 Sg40 Sg41 Sg42 Sg43 Sg44 Sg45 Sg46 Sg47 Sg48 Sg49 Sg50 Sg51 Sg52 Sg53 Sg54 Sg55 Sg56 Sg57 Sg58 Sg59 Sg60 Sg61 Sg62 Sg63 Sg64 Sg65 Sg66 Sg67 Sg68 Sg69 Sg70 Sg71 Sg72 Sg73 Sg74 Sg75 Sg76 Sg77 Sg78 Sg79 Sg80 Sg81 Sg82 Sg83 Sg84 Sg85 Sg86 Sg87 Sg88 Sg89 Sg90 Sg91 Sg92 Sg93 Sg94 Sg95 Sg96 Sg97 Sg98 Sg99 Sg100 Sg101 Sg102 Sg103 Sg104 Sg105 Sg106 Sg107 Sg108 Sg109 Sg110 Sg111 Sg112 Sg113 Sg114 Sg115 Sg116 Sg117 Sg118 Sg119 Sg120 Sg121 Sg122 Sg123 Sg124 Sg125 Sg126 Sg127 Sg128 Sg129 Sg130 Sg131 Sg132 Sg133 Sg134 Sg135 Sg136 Sg137 Sg138 Sg139 Sg140 Sg141 Sg142 Sg143 Sg144 Sg145 Sg146 Sg147 Sg148 Sg149 Sg150
Psa 8 V1 V2 V3 V4 V5 V6 V7 V8 V9
Original PSA 8:1: Text critical issues=none Clarity of original=clear Importance to us=normal Speaker(s)=Narrator (All still tentative.)
OET (OET-RV) For the musical director: a song by David to be accompanied by a stringed instrument.[fn]
8:0 Hebrew: ‘gittit’ instrument or style.![]()
OET-LV (PSA 8:1) To_choirmaster on the_Gittith a_song of_Dāvid.![]()
UHB 1 לַמְנַצֵּ֥חַ עַֽל־הַגִּתִּ֗ית מִזְמ֥וֹר לְדָוִֽד׃ ‡
BrLXX (PSA 8:1) Εἰς τὸ τέλος, ὑπὲρ τῶν ληνῶν, ψαλμὸς τῷ Δαυίδ.
(Eis to telos, huper tōn laʸnōn, psalmos tōi Dawid.)
BrTr (PSA 8:1) For the end, concerning the wine-presses, a Psalm of David.
ULT For the chief musician; psalm David.
UST This is a note for the worship leader: the song a stringed instrument. wrote psalm.
BSB & MSB For the choirmaster. According to Gittith.[fn] A Psalm of David.
8:1 Gittith is probably a musical or liturgical term; here and in Psalms 81 and 84.
OEB For the leader: A psalm of David, to be accompanied by a stringed instrument.
WEBBE & WMBB For the Chief Musician; on an instrument of Gath. A Psalm by David.
NET For the music director, according to the gittith style; a psalm of David.
FBV For the music director. On the gittith. A psalm of David.
LEB For the music director, on the Gittith.[fn] A psalm of David.[fn]
8:? Meaning uncertain
8:? The Hebrew Bible counts the superscription as the first verse of the psalm; the English verse number is reduced by one
BBE To the chief music-maker on the Gittith. A Psalm. Of David.
Moff From the Choirmaster’s collection. Set to a vintage melody. A song of David.
JPS (PSA 8:1) (8-1) For the Leader; upon the Gittith. A Psalm of David. (8-2) O LORD, our Lord, how glorious is Thy name in all the earth! whose majesty is rehearsed above the heavens.
ASV For the Chief Musician; set to the Gittith. A Psalm of David.
DRA (PSA 8:1) Unto the end, for the presses: a psalm of David.
Drby To the chief Musician. Upon the Gittith. A Psalm of David.
RV For the Chief Musician; set to the Gittith. A Psalm of David.
KJB-1769 To the chief Musician upon Gittith, A Psalm of David.
KJB-1611 ¶ To the chiefe Musicion vpon Gittith, a Psalme of Dauid.
(Modernised spelling is same as from KJB-1769 above, apart from capitalisation and punctuation)
Wycl (PSA 8:1) The title of the eiythe salm. To the ouercomere, for pressours, the salm of Dauid.
(The title of the eighth psalm. To the overcomer, for presses, the psalm of David.)
Luth (PSA 8:1) Ein Psalm Davids, vorzusingen auf der Githith.
(A Psalm David’s, to_sing_to on/in/to the/of_the Gittith.)
ClVg (PSA 8:1) In finem, pro torcularibus. Psalmus David.[fn]
(In the_end, for the_winepress. Psalm/Song David.)
8.1 In finem, pro torcularibus, etc. Pro torcularibus, id est, Ecclesiis, etc., usque ad animæ in requiem emanant.
8.1 In the_end, for the_winepress, etc. For the_winepress, that it_is, Assemblies/churches, etc., until to soul in/into/on rest/repose they_flow_out.
1. Superscription 2. Introduction (1–2) 3. Question (3–4) 4. Answer (5–8) 5. Closing (9)
1. Purpose: to praise Yahweh for his majesty throughout all the earth 2. Content: Your name is majestic in all the earth! You bestow your glory on the heavens above, and you bestow glory on weak humans below. 3. Message: Yahweh’s majesty is revealed in weakness.
1. The psalm begins and ends with the exact same exclamation—this serves to point out the purpose of the psalm. 2. The psalm progresses from top to bottom several times.A. In verse 1b–2 it goes from the heavens down to the weakest of humans.B. Verses 3–4 again go down from the heavens to man.C. Verses 5–8 move from the heavenly beings through man, who is exalted and crowned with glory as Yahweh’s representative ruler of all creation, and down and out into creation, moving away from man’s primary spheres of dominion (domestic animals) progressively outward. 3. There are many echoes of Genesis 1. References include: the heavens as created by Yahweh’s fingers (3), the animals as made by his hands (6), the dominion of man over creation (6–8, see also [Genesis 1:26](../../gen/01/26.md)). 4. Magnificent, Majesty, Splendor, Glory: Yahweh gives his weak representative (humans) many of his glorious attributes, and humans rule for Yahweh.See: writing-poetry
Portions of the ULT, UST, and TNs for this psalm are derivative from “Psalms, Layer by Layer” ([https://psalms.cdbr.org/w/Welcome](https://psalms.cdbr.org/w/Welcome)), “Psalm 8” ([https://psalms.cdbr.org/w/Psalm_8](https://psalms.cdbr.org/w/Psalm_8)) by Cambridge Digital Bible Research, Katie Frost, Meaghan Smith, Nikki Mustin et al, used under [CC BY](https://creativecommons.org/licenses/by/4.0/)See their top three exegetical issues in Psalm 8 video ([https://www.youtube.com/watch?v=L5-NpONilOs](https://www.youtube.com/watch?v=L5-NpONilOs)) for discussion of verses 1, 2, and 5 and their top three poetic features of Psalm 8 video ([https://www.youtube.com/watch?v=XcRob_g2g2Q](https://www.youtube.com/watch?v=XcRob_g2g2Q)) on YouTube.
Note 1 topic: translate-unknown
לַמְנַצֵּ֥חַ
(Some words not found in UHB: to,choirmaster on/upon the,Gittith song of,David )
The word translated as chief musician likely refers to the person in charge of music for worship. Some languages may have a term for a music leader. Alternate translation: [For the music director] or [For the leader of worship music]
Note 2 topic: translate-unknown
עַֽל־הַגִּתִּ֗ית
on/upon (Some words not found in UHB: to,choirmaster on/upon the,Gittith song of,David )
The exact meaning of the term Gittith is uncertain. The word could be related to the name of the Philistine city of Gath or to a term relating to wine production, which was accompanied by singing. It could refer to: (1) a musical instrument. Alternate translation: [accompany with a Philistine lute] or (2) the tune. Alternate translation: [use the winepress tune]