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PSA IntroSg1Sg2Sg3Sg4Sg5Sg6Sg7Sg8Sg9Sg10Sg11Sg12Sg13Sg14Sg15Sg16Sg17Sg18Sg19Sg20Sg21Sg22Sg23Sg24Sg25Sg26Sg27Sg28Sg29Sg30Sg31Sg32Sg33Sg34Sg35Sg36Sg37Sg38Sg39Sg40Sg41Sg42Sg43Sg44Sg45Sg46Sg47Sg48Sg49Sg50Sg51Sg52Sg53Sg54Sg55Sg56Sg57Sg58Sg59Sg60Sg61Sg62Sg63Sg64Sg65Sg66Sg67Sg68Sg69Sg70Sg71Sg72Sg73Sg74Sg75Sg76Sg77Sg78Sg79Sg80Sg81Sg82Sg83Sg84Sg85Sg86Sg87Sg88Sg89Sg90Sg91Sg92Sg93Sg94Sg95Sg96Sg97Sg98Sg99Sg100Sg101Sg102Sg103Sg104Sg105Sg106Sg107Sg108Sg109Sg110Sg111Sg112Sg113Sg114Sg115Sg116Sg117Sg118Sg119Sg120Sg121Sg122Sg123Sg124Sg125Sg126Sg127Sg128Sg129Sg130Sg131Sg132Sg133Sg134Sg135Sg136Sg137Sg138Sg139Sg140Sg141Sg142Sg143Sg144Sg145Sg146Sg147Sg148Sg149Sg150

Psa 48 V1V2V3V4V5V6V7V8V9V10V11V12V13V14

Parallel PSA 48:0

Note: This view shows ‘verses’ which are not natural language units and hence sometimes only part of a sentence will be visible—click on any Bible version abbreviation down the left-hand side to see the verse in more of its context. Normally the OET discourages the reading of individual ‘verses’, but this view is only designed as a tool for Bible-translators and others doing comparisons of different translations—the older translations are further down the page (so you can read up from the bottom to trace the English translation history). The OET segments on this page are still early looks into the drafted texts of the Open English Translation of the Bible—please double-check these texts in advance before using in public.

BI Psa 48:0 ©

(All still tentative.)

UHB1 שִׁ֥יר מִ֝זְמוֹר לִ⁠בְנֵי־קֹֽרַח׃ 

BrLXX

BrTr


ULTA song; a psalm of the sons of Korah.

WEBBEA Song. A Psalm by the sons of Korah.

WMBB (Same as above)

NETA song, a psalm by the Korahites.

FBVFor the music director. A psalm of the sons of Korah.

BBEA Song. A Psalm. Of the sons of Korah.

MoffA song of the Korahites, for music.

ASVA Song; a Psalm of the sons of Korah.

DrbyA Song; a Psalm. Of the sons of Korah.

RVA Song; a Psalm of the sons of Korah.

KJB-1769A Song and Psalm for the sons of Korah.

KJB-1611¶ A song, and Psalme for the sonnes of Korah.
   (Modernised spelling is same as from KJB-1769 above, apart from marking of added words (and possibly capitalisation and punctuation))


PLBLPsalms Layer-by-Layer: See the Scriptura Psalm Layer-by-Layer analysis overview.
  See the Scriptura Psalm Layer-by-Layer analysis for this verse (but that link requires making an account there).

HAPHebrew accents and phrasing: See Allan Johnson's Hebrew accents and phrasing analysis.

UTNuW Translation Notes:

Psalm 48 Introduction

Structure and Formatting

Psalm 48 is a psalm of praise. It is a specific type of praise psalm, a “song of Zion.” See the discussion of the types of psalms in the introduction to the book of Psalms. 1. Call to worship (1–3) 2. Reason to worship (4–10) 3. Call to worship (11–13) 4. Reason to worship (14)

Religious and Cultural Concepts in This Psalm

Who were the “kings” who “advanced” against Jerusalem?

The psalmist says in verse 4 that “kings assembled themselves” and “advanced together” to attack Jerusalem. He does not give enough information to identify these kings definitively. However, it is possible to understand Psalms 44, 46, and 48 as reflecting a sequence of compositions related to the Assyrian siege of Jerusalem in 701 B.C.Psalm 44 is a psalm of supplication that complains to Yahweh that “you do not go out with our armies” even though “we have not forgotten you and we have not dealt falsely with your covenant.” This is an urgent cry for help in a desperate and dangerous situation.Psalm 46 is psalm of trust. Even though there is warfare in the background (“Nations may roar; kingdoms may shake”), and this warfare seems to be ongoing, the psalmist expresses confident trust that Yahweh will help Jerusalem in time to save the city.Psalm 48 is a psalm of praise. It celebrates Jerusalem as the city that God has chosen as the place for people to worship him. In this psalm, the psalmist says in verse 8 that just as he and his contemporaries had heard from their ancestors about Yahweh’s deliverance, now they have seen it for themselves. This could be understood as an allusion back to Psalm 44:1, where the psalmist said, “God, we have heard with our ears, our fathers have recounted to us, the work you worked in their days.”While it is not necessarily the case that all three of these psalms relate to the same historical occasion, together they do represent the sequence of crying desperately to God for help, reaching a place of confident trust in God even before he acts, and celebrating God’s deliverance after he has brought it about. This rhythm characterizes the book of Psalms as a whole. See how you can translate these three psalms, which at least come from the same group of worship leaders and the same period in the history of the kingdom of Judah, in such a way as to highlight this rhythm.

Note 1 topic: figures-of-speech / metaphor

לִ⁠בְנֵי־קֹֽרַח

(li⁠ⱱənēy-qoraḩ)

See how you translated the expression “the sons of Korah” in the superscription to Psalm 42. Alternate translation: [of the descendants of Korah] or [of the Korahites]

BI Psa 48:0 ©